{"id":1954,"date":"2022-07-10T01:17:03","date_gmt":"2022-07-09T22:17:03","guid":{"rendered":"https:\/\/www.felsefidusun.com\/?page_id=1954"},"modified":"2025-04-10T15:48:47","modified_gmt":"2025-04-10T12:48:47","slug":"yeni-sayi","status":"publish","type":"page","link":"https:\/\/www.felsefidusun.com\/?page_id=1954","title":{"rendered":"yeni say\u0131"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"background-color: rgba(255,255,255,0);background-position: center center;background-repeat: no-repeat;border-width: 0px 0px 0px 0px;border-color:var(--awb-color3);border-style:solid;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start\" style=\"max-width:1144px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_4 1_4 fusion-flex-column\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\" style=\"background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;padding: 0px 0px 0px 0px;\"><div ><span class=\" fusion-imageframe imageframe-none imageframe-1 hover-type-none\"><img width=\"150\" height=\"150\" title=\"Say\u0131:24 Post-Truth \/ Nisan\u201925\" src=\"http:\/\/www.felsefidusun.com\/wp-content\/uploads\/2025\/04\/Post-truth_24-150x150.jpg\" alt class=\"img-responsive wp-image-2358\"\/><\/span><\/div><div class=\"fusion-text fusion-text-1\"><p><strong style=\"font-size: 14px;\" data-fusion-font=\"true\">Felsefi D\u00fc\u015f\u00fcn Say\u0131: 24 &#8211; Post-Truth \/ Nisan 2025<\/strong><\/p>\n<p><strong style=\"font-size: 14px;\" data-fusion-font=\"true\">Say\u0131 Edit\u00f6r\u00fc: Arma\u011fan \u00d6ZT\u00dcRK (Ankara Hac\u0131 Bayram Veli \u00dcniversitesi)<\/strong><\/p>\n<\/div><div ><span class=\" fusion-imageframe imageframe-none imageframe-2 hover-type-none\"><img width=\"40\" height=\"38\" title=\"shopiconred\" src=\"http:\/\/www.felsefidusun.com\/wp-content\/uploads\/2020\/10\/shopiconred-e1657631675159.png\" alt class=\"img-responsive wp-image-1882\"\/><\/span><\/div><div class=\"fusion-separator fusion-has-icon\" style=\"align-self: center;margin-left: auto;margin-right: auto;margin-top:7px;margin-bottom:7px;width:100%;max-width:%80;\"><div class=\"fusion-separator-border sep-single sep-solid\" style=\"border-color:#000000;border-top-width:1px;\"><\/div><span class=\"icon-wrapper\" style=\"border-color:#000000;background-color:#000000;font-size:16px;width: 1.75em; height: 1.75em;border-width:1px;padding:1px;margin-top:-0.5px\"><i class=\"fa-align-justify fas\" style=\"font-size: inherit;color:var(--awb-color3);\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-separator-border sep-single sep-solid\" style=\"border-color:#000000;border-top-width:1px;\"><\/div><\/div><div class=\"fusion-text fusion-text-2\"><p><em><span style=\"font-size: 14px;\" data-fusion-font=\"true\">Makalelerin \u00f6zetleri ve anahtar kelimeleri i\u00e7in l\u00fctfen ilgili makalenin ismi \u00fczerine t\u0131klay\u0131n\u0131z.<\/span><\/em><\/p>\n<\/div><\/div><style type=\"text\/css\">.fusion-body .fusion-builder-column-0{width:25% !important;margin-top : 0px;margin-bottom : 20px;}.fusion-builder-column-0 > .fusion-column-wrapper {padding-top : 0px !important;padding-right : 0px !important;margin-right : 7.68%;padding-bottom : 0px !important;padding-left : 0px !important;margin-left : 7.68%;}@media only screen and (max-width:1024px) {.fusion-body .fusion-builder-column-0{width:25% !important;order : 0;}.fusion-builder-column-0 > .fusion-column-wrapper {margin-right : 7.68%;margin-left : 7.68%;}}@media only screen and (max-width:640px) {.fusion-body .fusion-builder-column-0{width:100% !important;order : 0;}.fusion-builder-column-0 > .fusion-column-wrapper {margin-right : 1.92%;margin-left : 1.92%;}}<\/style><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-1 fusion_builder_column_3_4 3_4 fusion-flex-column\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\" style=\"background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;padding: 0px 0px 0px 0px;\"><div class=\"fusion-text fusion-text-3\"><h3 style=\"padding-left: 40px;\"><strong>MAKALELER<\/strong><\/h3>\n<\/div><style type=\"text\/css\">#accordion-1954-1 .fusion-panel:hover{ border-color: var(--awb-color3) } #accordion-1954-1 .fusion-panel { border-color:var(--awb-color3); }.fusion-accordian  #accordion-1954-1 .panel-title a .fa-fusion-box{ color: #000000;}.fusion-accordian  #accordion-1954-1 .panel-title a .fa-fusion-box:before{ font-size: 12px; width: 12px;}.fusion-accordian  #accordion-1954-1 .panel-title a{font-size:18px;line-height:1.5;color:var(--awb-color8);font-family:Garamond, serif;font-weight:400;}.fusion-accordian  #accordion-1954-1 .toggle-content{font-size:16px;color:var(--awb-color8);font-family:Garamond, serif;font-weight:400;}.fusion-accordian  #accordion-1954-1 .panel-title a:not(.active):hover, #accordion-1954-1 .fusion-toggle-boxed-mode:hover .panel-title a { color: var(--awb-color5);}.fusion-accordian  #accordion-1954-1 .fusion-toggle-boxed-mode:hover .panel-title a .fa-fusion-box{ color: var(--awb-color5);}.fusion-accordian  #accordion-1954-1.fusion-toggle-icon-unboxed .fusion-panel .panel-title a:not(.active):hover .fa-fusion-box{ color: var(--awb-color5) !important;}<\/style><div class=\"accordian fusion-accordian\"><div class=\"panel-group fusion-toggle-icon-unboxed\" id=\"accordion-1954-1\"><style type=\"text\/css\">.fusion-accordian  #accordion-1954-1 .panel-652f4a91af4d4456b .panel-title a{color:var(--awb-color8);}.fusion-accordian  #accordion-1954-1 .panel-652f4a91af4d4456b .toggle-content{color:var(--awb-color8);}<\/style><div class=\"fusion-panel panel-default panel-652f4a91af4d4456b\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_652f4a91af4d4456b\"><a aria-expanded=\"false\" aria-controls=\"652f4a91af4d4456b\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-1954-1\" data-target=\"#652f4a91af4d4456b\" href=\"#652f4a91af4d4456b\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon fa-minus fas\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon fa-plus fas\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">\u00d6znelli\u011fimi Tutan m\u0131 Var? Hakikat, Hakikatin A\u015f\u0131lmas\u0131, Ontolojik K\u0131s\u0131t Sorunsal\u0131 \/ Murat BA\u00c7 <\/span><\/a><\/h4><\/div><div id=\"652f4a91af4d4456b\" class=\"panel-collapse collapse \" araia-labelledby=\"toggle_652f4a91af4d4456b\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<p><strong><span class=\"fontstyle0\">\u00d6z<\/span><\/strong><\/p>\n<p>\u00c7a\u011fda\u015f \u201chakikat sonras\u0131\u201d d\u00fc\u015f\u00fcncesini \u00e7evreleyen \u00e7etin tart\u0131\u015fmalar, geni\u015f bir perspektiften bak\u0131ld\u0131\u011f\u0131nda, devasa bir felsefi konu olan onto-epistemik nesnellik sorunsal\u0131n\u0131n son derece ilgin\u00e7 tikel \u00f6rnekleri veya tezah\u00fcrleri olarak g\u00f6r\u00fclebilir. Yaz\u0131mda bu \u00f6nemli meseleyi daralt\u0131lm\u0131\u015f bir kapsamda, hakikat iddialar\u0131m\u0131z\u0131 k\u0131s\u0131tlayan ontolojik ko\u015fullar ba\u011flam\u0131nda ele al\u0131yorum. Sundu\u011fum irdeleme felsefe tarihinde geleneksel metafizik hakikat kavram\u0131n\u0131n taht\u0131n\u0131n sallanmas\u0131na ili\u015fkin baz\u0131 notlarla ba\u015fl\u0131yor. Ard\u0131ndan, ontoloji ve hakikate ili\u015fkin \u00e7a\u011fda\u015f bir ger\u00e7ek\u00e7ilik-kar\u015f\u0131t\u0131 g\u00f6r\u00fc\u015f\u00fcn a\u00e7\u0131klamas\u0131n\u0131 yap\u0131p ele\u015ftirel de\u011ferlendirmemi sunuyorum. Savundu\u011fum tez, esas itibar\u0131yla, hakikatle ilgili ger\u00e7ek\u00e7ilik-kar\u015f\u0131tl\u0131\u011f\u0131n\u0131n do\u011fru \u00f6nermeler \u00fczerindeki k\u0131s\u0131tlar konusunda dikkate de\u011fer kuramsal zorluklarla kar\u015f\u0131la\u015faca\u011f\u0131 iddias\u0131n\u0131 ta\u015f\u0131yor. Buna g\u00f6re hem numenal ger\u00e7ek\u00e7ili\u011fin hem de farkl\u0131 t\u00fcrden ger\u00e7ek\u00e7ilik-kar\u015f\u0131tl\u0131klar\u0131n\u0131n onto-aletik hatalar\u0131ndan ka\u00e7\u0131nmay\u0131 ama\u00e7layan ger\u00e7ek\u00e7i bir g\u00f6r\u00fc\u015f g\u00f6rece olarak \u00fcst\u00fcn bir a\u00e7\u0131klama g\u00fcc\u00fcne sahip olabilir. \u00d6zsel olarak ifade edildi\u011finde, b\u00f6yle bir alternatif g\u00f6r\u00fc\u015f\u00fcn hem \u201c\u00f6zneler aras\u0131 unsurlardan\u201d hem de \u201cs\u00f6ylemden ba\u011f\u0131ms\u0131z bir ger\u00e7eklikten\u201d kaynakl\u0131 \u00e7oklu k\u0131s\u0131tlamalar yoluyla do\u011frular\u0131n\/hakikatin ortaya \u00e7\u0131k\u0131\u015f\u0131n\u0131 ayd\u0131nlatmada daha ba\u015far\u0131l\u0131 olabilece\u011fine inan\u0131yorum. Son olarak da zaman\u0131m\u0131z\u0131n ruhunu tam olarak kavramada a\u00e7\u0131k\u00e7a \u00f6zel bir ilgiyi hak eden sosyo-politik tart\u0131\u015fmalar a\u00e7\u0131s\u0131ndan k\u0131s\u0131t ve ger\u00e7ek\u00e7ilik kavramlar\u0131yla ilgilenmenin geni\u015f kapsaml\u0131 sonu\u00e7lar\u0131na k\u0131saca de\u011finiyorum.<\/p>\n<p><strong>Anahtar Kelimeler:<\/strong> ger\u00e7ek\u00e7ilik, ger\u00e7ek\u00e7ilik-kar\u015f\u0131tl\u0131\u011f\u0131, hakikat, k\u0131s\u0131t, post-truth.<\/p>\n<\/div><\/div><\/div><style type=\"text\/css\">.fusion-accordian  #accordion-1954-1 .panel-22f402208ecfe042e .panel-title a{color:var(--awb-color8);}.fusion-accordian  #accordion-1954-1 .panel-22f402208ecfe042e .toggle-content{color:var(--awb-color8);}<\/style><div class=\"fusion-panel panel-default panel-22f402208ecfe042e\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_22f402208ecfe042e\"><a aria-expanded=\"false\" aria-controls=\"22f402208ecfe042e\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-1954-1\" data-target=\"#22f402208ecfe042e\" href=\"#22f402208ecfe042e\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon fa-minus fas\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon fa-plus fas\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">Homeros\u2019tan Aristoteles\u2019e Antik Yunan D\u00fc\u015f\u00fcncesinde Post-Truth Tart\u0131\u015fmas\u0131 \/ Celal YE\u015e\u0130L\u00c7AYIR<\/span><\/a><\/h4><\/div><div id=\"22f402208ecfe042e\" class=\"panel-collapse collapse \" araia-labelledby=\"toggle_22f402208ecfe042e\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<p><strong><span class=\"fontstyle2\">\u00d6z<\/span><\/strong><\/p>\n<p>\u00c7a\u011f\u0131m\u0131zda dijitalle\u015fme ve internet kullan\u0131m\u0131n\u0131n artmas\u0131na ko\u015fut olarak haberlerin kitlelere ula\u015fmas\u0131 da h\u0131zlanm\u0131\u015ft\u0131r. Sosyal medya kullan\u0131m\u0131n\u0131n yayg\u0131nla\u015fmas\u0131 ise bir taraftan haber ve verilerin h\u0131zl\u0131 ak\u0131\u015f\u0131n\u0131 sa\u011flarken di\u011fer taraftan da do\u011frulama sorununu ortaya \u00e7\u0131karm\u0131\u015ft\u0131r. Bununla birlikte \u2018hakikat sonras\u0131\u2019 anlam\u0131na gelen <em>post-truth<\/em> anlay\u0131\u015f\u0131 geli\u015ferek, \u00e7a\u011f\u0131m\u0131zda \u00f6nemli bir sorunsal haline gelmi\u015ftir. Bu \u00e7al\u0131\u015fma ile <em>post-truth <\/em>anlay\u0131\u015f\u0131n\u0131n Antik Yunan\u2019daki \u00f6rneklerinin tart\u0131\u015fmaya a\u00e7\u0131lmas\u0131 ama\u00e7lanmaktad\u0131r. Homeros, Hesiodos, Herodotos, Tukididis, Sofistler, Platon, Aristophanes ve Aristoteles\u2019in d\u00fc\u015f\u00fcncelerindeki \u2018kurgusal ger\u00e7eklik\u2019 ile bu temay\u00fcle y\u00f6neltilen ele\u015ftiriler irdelenmektedir. Homeros\u2019un destanlar\u0131ndaki kurgu \u00fcslubu ile Sofistlerin retori\u011fe ikna etme sanat\u0131 olarak ba\u015fvurmas\u0131 farkl\u0131 ama\u00e7lara y\u00f6nelmektedir. Platon\u2019un ma\u011faras\u0131 ise bir\u00e7ok d\u00fc\u015f\u00fcnceye ilham kayna\u011f\u0131 oldu\u011fu gibi <em>post-truth <\/em>ba\u011flam\u0131nda \u00f6nem arz etmektedir. Bununla birlikte kurgu ile kitleleri kand\u0131rma sorununun yan\u0131nda insanlar\u0131n g\u00f6n\u00fcll\u00fc olarak sahte bir d\u00fcnyan\u0131n i\u00e7inde ya\u015famak istemeleri ba\u015fka bir sorunsal olarak kar\u015f\u0131m\u0131za \u00e7\u0131kmaktad\u0131r. Ele al\u0131nacak analizler \u00fczerinden <em>post-truth<\/em>un farkl\u0131 boyutlar\u0131na dair tespitlere ula\u015f\u0131lmaya \u00e7al\u0131\u015f\u0131lmaktad\u0131r. \u00c7al\u0131\u015fmam\u0131z <em>post-truth<\/em>un \u00f6z\u00fcnde felsefi bir sorunsal oldu\u011funa dair fark\u0131ndal\u0131k olu\u015fturmay\u0131 ve bu ba\u011flamda Antik D\u00f6nem\u2019deki tart\u0131\u015fmalar\u0131 \u00f6rneklendirmeyi ama\u00e7lamaktad\u0131r.<\/p>\n<p><strong>Anahtar Kelimeler:<\/strong> post-truth, nesnel ger\u00e7eklik, kurgusal ger\u00e7eklik, Antik Yunan, grotesk.<\/p>\n<\/div><\/div><\/div><style type=\"text\/css\">.fusion-accordian  #accordion-1954-1 .panel-420b277c8c61f82f0 .panel-title a{color:var(--awb-color8);}.fusion-accordian  #accordion-1954-1 .panel-420b277c8c61f82f0 .toggle-content{color:var(--awb-color8);}<\/style><div class=\"fusion-panel panel-default panel-420b277c8c61f82f0\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_420b277c8c61f82f0\"><a aria-expanded=\"false\" aria-controls=\"420b277c8c61f82f0\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-1954-1\" data-target=\"#420b277c8c61f82f0\" href=\"#420b277c8c61f82f0\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon fa-minus fas\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon fa-plus fas\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">Hakikat-Sonras\u0131na Ait Baz\u0131 Belirtiler \/ \u00d6zg\u00fcr TABURO\u011eLU<\/span><\/a><\/h4><\/div><div id=\"420b277c8c61f82f0\" class=\"panel-collapse collapse \" araia-labelledby=\"toggle_420b277c8c61f82f0\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<p><strong><span class=\"fontstyle0\">\u00d6z<\/span><\/strong><\/p>\n<p>Hakikat-sonras\u0131 diye tarif edilen bir zaman par\u00e7as\u0131nda olmak, sadece sahici \u015feylerin yerini yalan\u0131n almas\u0131yla a\u00e7\u0131klanamaz. Bireyler ya da topluluklar\u0131n sahip olduklar\u0131 belle\u011fin herhangi bir tarih duygusu yaratamayacak \u015fekilde k\u0131sa aral\u0131kla dolup bo\u015falmas\u0131yla da ilgili olabilir. Kay\u0131t alt\u0131na al\u0131nmaya, an\u0131msanmaya de\u011fer g\u00f6steri\u015fli olaylara, travmatik an\u0131lara ya da m\u00fcstesna ge\u00e7mi\u015f bir zamana ait olan bitenden ayr\u0131 sahicilik duygusuna sahip bir anlat\u0131 yaratmak zorla\u015f\u0131r. Mazi, hal ve istikbal aras\u0131nda s\u00fcre\u011fen bir belle\u011fi in\u015fa edecek hik\u00e2yelerden yoksun olmak, hakikat-sonras\u0131nda ya\u015fad\u0131\u011f\u0131m\u0131z duyusunu peki\u015ftirir. Bu d\u00f6nemin i\u015fareti gibi okunan, d\u00fcnya geneline yay\u0131lm\u0131\u015f, tuhaf davran\u0131\u015flar\u0131yla ve yalanlar\u0131yla dikkat \u00e7eken siyasi liderler de b\u00f6yle k\u0131sa aral\u0131klarla dolup bo\u015falan belleklere g\u00fcvenirler. Bu d\u00f6nem genelde tuhaf davran\u0131\u015flar sergileyen siyasi liderler \u00fczerinden okunur. Fakat Hakikat-Sonras\u0131 d\u00f6nem bu makalede denedi\u011fimiz gibi, bunun d\u0131\u015f\u0131nda \u00e7ok fark\u0131 belirtiler \u00fczerinden de\u011ferlendirilebilir. Fakat Hakikat-Sonras\u0131 d\u00f6nem bu makalede denedi\u011fimiz gibi, bunun d\u0131\u015f\u0131nda \u00e7ok fark\u0131 belirtiler \u00fczerinden de\u011ferlendirilebilir. Bu belirtilere odakland\u0131\u011f\u0131m\u0131zda hakikat-sonras\u0131 ad\u0131 verilen bir d\u00f6nemin varl\u0131\u011f\u0131 iyice \u015f\u00fcpheli olmaya ba\u015flar. Ge\u00e7mi\u015f zamanlarla olan ili\u015fkisinin nitel bir k\u0131r\u0131lma de\u011fil de nicel bir de\u011fi\u015fm oldu\u011funu d\u00fc\u015f\u00fcn\u00fcr\u00fcz. Sanki tarihin h\u0131z\u0131 ve \u00f6znelerin eylem ve s\u00f6ylemlerindeki nicel de\u011fi\u015fimlerden s\u00f6z etmek bu durumda daha ger\u00e7ek\u00e7i g\u00f6r\u00fcn\u00fcr. Di\u011fer t\u00fcrl\u00fc s\u0131k aral\u0131klarla de\u011fi\u015fen zaman kesitleri aras\u0131nda d\u00fc\u015f\u00fcnme, yorumlama ve ele\u015ftirme imkanlar\u0131m\u0131z\u0131 kaybedebiliriz. \u00c7\u00fcnk\u00fc her d\u00f6nem kendi yorum \u00e7er\u00e7evesini, \u00f6zne ve nesne konumlar\u0131n\u0131 yarat\u0131r ve bir \u00f6nceki d\u00f6nemi tasfiye eder. Bu sebeple nitel k\u0131r\u0131lmalardan ziyade nicel de\u011fi\u015fimlere odaklanmak, s\u00f6zde hakikat-sonras\u0131nda hakikatsiz bir konuma d\u00fc\u015fmemek i\u00e7in denenebilir.<\/p>\n<p><strong>Anahtar Kelimeler<\/strong>: Hakikat-Sonras\u0131, yalan, hakikat, sahicilik, \u015fiddet, sinizm, cehalet.<\/p>\n<\/div><\/div><\/div><style type=\"text\/css\">.fusion-accordian  #accordion-1954-1 .panel-159747534b4fe1c38 .panel-title a{color:var(--awb-color8);}.fusion-accordian  #accordion-1954-1 .panel-159747534b4fe1c38 .toggle-content{color:var(--awb-color8);}<\/style><div class=\"fusion-panel panel-default panel-159747534b4fe1c38\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_159747534b4fe1c38\"><a aria-expanded=\"false\" aria-controls=\"159747534b4fe1c38\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-1954-1\" data-target=\"#159747534b4fe1c38\" href=\"#159747534b4fe1c38\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon fa-minus fas\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon fa-plus fas\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">Post-Truthdan Kurtulmak M\u00fcmk\u00fcn M\u00fc? Felsefi ve Sosyolojik Bir Analiz \/ Arma\u011fan \u00d6ZT\u00dcRK &amp; Hatice KARAKU\u015e \u00d6ZT\u00dcRK<\/span><\/a><\/h4><\/div><div id=\"159747534b4fe1c38\" class=\"panel-collapse collapse \" araia-labelledby=\"toggle_159747534b4fe1c38\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<p><strong><span class=\"fontstyle0\">\u00d6z<\/span><\/strong><\/p>\n<p>Post-truth hakikat ve akl\u0131n duygular lehine geriledi\u011fi bir d\u00fc\u015f\u00fcnsel iklimi karakterize eder. Ger\u00e7e\u011fi yorumlama noktas\u0131nda s\u0131n\u0131rs\u0131z bir serbestlik ve yalan\u0131n pop\u00fclerle\u015fmesi post-truthun en bilinen \u00f6zelliklerine kar\u015f\u0131l\u0131k gelir. Hakikat ve ger\u00e7eklik kavramlar\u0131 aras\u0131nda k\u0131smi bir \u00f6rt\u00fc\u015fme vard\u0131r. Genel kabul ger\u00e7ekli\u011fin somut d\u00fcnya, hakikatin ise o d\u00fcnyan\u0131n zihindeki temsiliyle ilgili oldu\u011fu, ilkinden ikincisine ge\u00e7erken evrensel imge ve \u00f6nermelerin \u00f6n plana \u00e7\u0131kt\u0131\u011f\u0131 \u015feklindedir. Post-truth sosyal psikolojik bir e\u011filimdir. \u0130nsanlar nesnel ger\u00e7eklikten ka\u00e7mak istemekte, alternatif ve kendi i\u00e7inde tutars\u0131z bir \u00e7oklu ger\u00e7eklikler veya yalanlar evrenine ilgi duymaktad\u0131r. Bu ba\u015flang\u0131\u00e7 zeminine at\u0131fla y\u00fcr\u00fctece\u011fimiz tart\u0131\u015fman\u0131n temel sorunu post-truthtan kurtulman\u0131n ve tekrar akla geri d\u00f6nmenin m\u00fcmk\u00fcn olup olmayaca\u011f\u0131 noktas\u0131nda d\u00fc\u011f\u00fcmlenmektedir. \u00c7al\u0131\u015fmam\u0131zda post-modernizm ve neo-liberal \u015feffafl\u0131k ideolojisi post-truthla sonu\u00e7lanan d\u00fc\u015f\u00fcnsel paradigma de\u011fi\u015fikli\u011finin ba\u015fl\u0131ca nedenleri olarak g\u00f6sterilmi\u015ftir. Post-modern sim\u00fclasyon d\u00fcnyas\u0131nda bilin\u00e7le hakikat aras\u0131ndaki ba\u011f t\u00fcm\u00fcyle kopmu\u015f durumdad\u0131r. \u015eeffafl\u0131k ise ak\u0131\u015fkan ve h\u0131zl\u0131 ileti\u015fimi dayatmakta, ilkesi \u015feffafl\u0131k olan toplumda dijital panoptikon temel denetim arac\u0131 olarak i\u015f g\u00f6rmektedir. Sosyal medya post-truthun maddi zeminine kar\u015f\u0131l\u0131k gelir. Yalan haberler, sahte hesaplar ve yank\u0131 odalar\u0131 sosyal medya arac\u0131l\u0131\u011f\u0131yla rasyonel d\u00fc\u015f\u00fcnme bi\u00e7imini sakatlamaktad\u0131r. Ayr\u0131ca sosyal medya kulland\u0131\u011f\u0131 teknoloji alt yap\u0131s\u0131 nedeniyle a\u015f\u0131r\u0131 yorumlar\u0131 destekleyen bir duygusal bilin\u00e7 d\u00fczeyi de dayatmaktad\u0131r. Post-truthun etkisi en fazla siyasal hayatta kendini g\u00f6stermektedir. Sistematik yalan ve komplo teorilerindeki g\u00f6zle g\u00f6r\u00fcn\u00fcr art\u0131\u015f d\u00fc\u015f\u00fcnsel hayattaki d\u00f6n\u00fc\u015f\u00fcm\u00fcn ba\u015fl\u0131ca g\u00f6stergeleri aras\u0131ndad\u0131r. Bu son hat\u0131rlatma ba\u011flam\u0131nda pop\u00fclizme \u00f6zel bir yer ayr\u0131lmas\u0131 gerekir. \u00c7\u00fcnk\u00fc siyasetin pop\u00fclist\u00e7e ger\u00e7ekle\u015fme bi\u00e7imi ger\u00e7e\u011fe ayk\u0131r\u0131 bilgi ve yorumlar\u0131n yayg\u0131nla\u015fmas\u0131na ve kitlelerin inand\u0131klar\u0131 yalanlar \u00e7evresinde epistemolojik topluluklar olu\u015fturmas\u0131na yol a\u00e7m\u0131\u015ft\u0131r.<\/p>\n<p><strong>Anahtar Kelimeler: <\/strong>Post-truth, post-modernizm, sosyal medya, pop\u00fclizm, yalan.<\/p>\n<\/div><\/div><\/div><style type=\"text\/css\">.fusion-accordian  #accordion-1954-1 .panel-9b2ccbef2307549dc .panel-title a{color:var(--awb-color8);}.fusion-accordian  #accordion-1954-1 .panel-9b2ccbef2307549dc .toggle-content{color:var(--awb-color8);}<\/style><div class=\"fusion-panel panel-default panel-9b2ccbef2307549dc\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_9b2ccbef2307549dc\"><a aria-expanded=\"false\" aria-controls=\"9b2ccbef2307549dc\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-1954-1\" data-target=\"#9b2ccbef2307549dc\" href=\"#9b2ccbef2307549dc\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon fa-minus fas\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon fa-plus fas\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">Hakikatin Replikasi: Post-Hakikatten Liberal \u0130roniye Epistemolojik Bir Hat \/ \u00d6mer Faik ANLI<\/span><\/a><\/h4><\/div><div id=\"9b2ccbef2307549dc\" class=\"panel-collapse collapse \" araia-labelledby=\"toggle_9b2ccbef2307549dc\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<p><strong><span class=\"fontstyle0\">\u00d6z<\/span><\/strong><\/p>\n<p>Bu \u00e7al\u0131\u015fma, hakikat ve bilgi kavramlar\u0131n\u0131n epistemolojik ve toplumsal ba\u011flamlar\u0131n\u0131, post-hakikat kavram\u0131 ve pragmatizm \u00e7er\u00e7evesinde ele almaktad\u0131r. Post-hakikat \u00e7a\u011f\u0131nda nesnel olgular\u0131n kamuoyu \u00fczerindeki etkisinin, duygusal ve \u00f6znel unsurlar kar\u015f\u0131s\u0131nda zay\u0131flad\u0131\u011f\u0131 tespiti \u00fczerinden, epistemolojinin vazge\u00e7ilmezli\u011fi tezi savunulmaktad\u0131r. Bu ba\u011flamda, epistemolojinin yaln\u0131zca bireysel bilgi \u00fcretimi a\u00e7\u0131s\u0131ndan de\u011fil, toplumsal d\u00fczenin s\u00fcrd\u00fcr\u00fclebilirli\u011fi a\u00e7\u0131s\u0131ndan da merkezi bir rol oynad\u0131\u011f\u0131 vurgulanmaktad\u0131r. \u0130\u00e7erisinde bulunulan post-hakikat durumu pragmatizm perspektifinden yeniden de\u011ferlendirilmelidir. Hakikatin replikas\u0131n\u0131n mevcudiyeti ve bu mevcudiyetin a\u00e7\u0131klanmas\u0131 ancak hakikatin mevcudiyeti ile olanakl\u0131d\u0131r. Hakikat mevcutsa, epistemoloji ka\u00e7\u0131n\u0131lmazd\u0131r. Ancak a\u00e7\u0131lacak pragmatizm vs. pragmatizm tart\u0131\u015fmas\u0131 ve liberal ironi kavram\u0131 \u00fczerinden, hakikat aray\u0131\u015f\u0131n\u0131n yerine demokratik de\u011ferlerin \u00f6nceliklendirilmesi \u00f6nerisi, postmetafizik ve post-epistemolojik konum al\u0131\u015flar g\u00f6z ard\u0131 edilmemelidir. \u00d6zellikle, hakikat kavram\u0131n\u0131n siyasalla\u015fmas\u0131 ve bilgi rejimlerinin d\u00f6n\u00fc\u015f\u00fcm\u00fc, bu tart\u0131\u015fmay\u0131 daha da karma\u015f\u0131k hale getirmektedir. \u00c7al\u0131\u015fma, hakikatin yaln\u0131zca teorik bir yap\u0131 de\u011fil, ayn\u0131 zamanda toplumsal uyum i\u00e7in kritik bir ara\u00e7 oldu\u011funu vurgularken, bu ba\u011flamda, post-hakikat \u00e7a\u011f\u0131nda hakikatin d\u00f6n\u00fc\u015f\u00fcm\u00fc, bilgiye eri\u015fim ve do\u011fruluk kriterlerinin dinamik bir \u015fekilde ele al\u0131nmas\u0131 i\u00e7in post-epistemoloji iddias\u0131n\u0131n aksine epistemolojik hatt\u0131n korunmas\u0131 gerekti\u011fini savunmaktad\u0131r. Sonu\u00e7 olarak, hakikatin epistemolojik stat\u00fcs\u00fc, bireysel ve kolektif d\u00fczeyde bilgi \u00fcretiminin me\u015fruiyetini belirleyen temel unsurlardan biri olarak ele al\u0131nmal\u0131d\u0131r.<\/p>\n<p><strong>Anahtar Kelimeler:<\/strong> Post-hakikat, pragmatizm, epistemoloji, liberal ironi, bilgi.<\/p>\n<\/div><\/div><\/div><style type=\"text\/css\">.fusion-accordian  #accordion-1954-1 .panel-54d09f081e83d1ce4 .panel-title a{color:var(--awb-color8);}.fusion-accordian  #accordion-1954-1 .panel-54d09f081e83d1ce4 .toggle-content{color:var(--awb-color8);}<\/style><div class=\"fusion-panel panel-default panel-54d09f081e83d1ce4\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_54d09f081e83d1ce4\"><a aria-expanded=\"false\" aria-controls=\"54d09f081e83d1ce4\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-1954-1\" data-target=\"#54d09f081e83d1ce4\" href=\"#54d09f081e83d1ce4\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon fa-minus fas\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon fa-plus fas\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">Post-Truth \u00c7a\u011f\u0131n Yalanlar\u0131: \u015eeffafl\u0131k ve Tarafs\u0131zl\u0131k (Politik \u015eeffafl\u0131k ve Medya Tarafs\u0131zl\u0131\u011f\u0131) \/ Ferdi SEL\u0130M<\/span><\/a><\/h4><\/div><div id=\"54d09f081e83d1ce4\" class=\"panel-collapse collapse \" araia-labelledby=\"toggle_54d09f081e83d1ce4\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<p><strong><span class=\"fontstyle0\">\u00d6z<\/span><\/strong><\/p>\n<p>S\u00f6zc\u00fckler \u00e7a\u011flar\u0131 anlamak bak\u0131m\u0131ndan i\u015flevseldir. Bug\u00fcn, Trump\u2019\u0131n ba\u015fkanl\u0131\u011f\u0131n\u0131n ve Brexit se\u00e7imlerinin ard\u0131ndan bireyleri, topluluklar\u0131 ve siyasi erkleri anlamak i\u00e7in tercih edilen kavram post-truth\u2019tur. Fakat post-truth kavram\u0131 \u00e7er\u00e7evesinde \u00e7a\u011f\u0131 ve paradigmay\u0131 anlamak ve kelimenin \u00e7ok boyutlu yap\u0131s\u0131n\u0131 \u00e7\u00f6z\u00fcmlemek olduk\u00e7a g\u00fc\u00e7t\u00fcr. \u00c7\u00fcnk\u00fc pop\u00fcler olan her kavramda oldu\u011fu gibi anlam kaymalar\u0131na dikkat edilmelidir. Bunun yan\u0131 s\u0131ra kavram\u0131n nitelikli yalanlar, bili\u015fsel \u00f6n yarg\u0131lar, medya yanl\u0131l\u0131\u011f\u0131, propaganda, duyars\u0131zl\u0131k, sorumsuzluk veya umursamazl\u0131k gibi hakikat ve ger\u00e7eklik konusunda kar\u015f\u0131la\u015f\u0131lan pek \u00e7ok kavram, konu ve sorunla do\u011frudan ba\u011flant\u0131s\u0131 bulunmaktad\u0131r. Bu girift yap\u0131 kavram\u0131n anla\u015f\u0131lmas\u0131n\u0131 daha da g\u00fc\u00e7le\u015ftirmektedir. Yine de \u00f6nemli bir hacme ula\u015fm\u0131\u015f yaz\u0131larda oldu\u011fu gibi bu \u00e7al\u0131\u015fmada da ortak noktalara, \u00f6rnek olaylara ve imgelere i\u015faret edilmi\u015ftir. Yo\u011fun bir g\u00fcndemi takip edebilmenin g\u00fc\u00e7l\u00fc\u011f\u00fcyle makalede yaln\u0131zca iki soruna odaklan\u0131lm\u0131\u015ft\u0131r. Konu edinilen her iki tercihte de ele al\u0131nan meselelerin olumlu bir ifadeyi \u00e7a\u011fr\u0131\u015ft\u0131rmas\u0131na ra\u011fmen post-truth ara\u00e7lar oldu\u011fu ileri s\u00fcr\u00fclebilir. Bunlardan ilki medya yanl\u0131l\u0131\u011f\u0131n\u0131 ifade eden tarafs\u0131zl\u0131kt\u0131r. Tarafs\u0131zl\u0131k konusunda taraflar\u0131n s\u00f6ylemlerinin bilim ve uzmanl\u0131\u011fa g\u00f6re de\u011ferlendirilmemesi ve bir olguyla bir kurmacan\u0131n taraflar olarak se\u00e7ilmesi ahlaki bir sorun oldu\u011funa i\u015faret eder. Yine bu hususta a\u015f\u0131r\u0131 \u0131srar\u0131n tart\u0131\u015fmay\u0131 bilim ve uzmanl\u0131k gibi nitelikli alanlardan uzakla\u015ft\u0131rm\u0131\u015f oldu\u011fu a\u00e7\u0131kt\u0131r. \u0130kinci problem politik \u015feffafl\u0131kt\u0131r. Post-truth \u00e7a\u011fa uygun \u015feffafl\u0131k ise hakikati ve ger\u00e7ekli\u011fi g\u00f6rmezden gelmek bak\u0131m\u0131ndan i\u015flevseldir. \u015eeffafl\u0131k veri ak\u0131\u015f\u0131n\u0131 art\u0131r\u0131r ve do\u011fru bilgiyi kesintiye u\u011frat\u0131r. Bu nedenle halklar\u0131 ikna etmek ve ger\u00e7ek d\u0131\u015f\u0131 bir \u015feye inand\u0131rmak bak\u0131m\u0131ndan etkilidir. Bu do\u011frultuda bu \u00e7al\u0131\u015fmada post-truth \u00e7a\u011fa \u00f6zg\u00fc ilgili problemlere i\u015faret edildikten sonra \u00e7\u00f6z\u00fcm \u00f6nerilerine dair bir tart\u0131\u015fma a\u00e7\u0131lm\u0131\u015ft\u0131r.<\/p>\n<p><strong>Anahtar Kelimeler<\/strong>: Post-truth, hakikat, ger\u00e7ek, tarafs\u0131zl\u0131k, \u015feffafl\u0131k.<\/p>\n<\/div><\/div><\/div><style type=\"text\/css\">.fusion-accordian  #accordion-1954-1 .panel-426c6a155579ce763 .panel-title a{color:var(--awb-color8);}.fusion-accordian  #accordion-1954-1 .panel-426c6a155579ce763 .toggle-content{color:var(--awb-color8);}<\/style><div class=\"fusion-panel panel-default panel-426c6a155579ce763\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_426c6a155579ce763\"><a aria-expanded=\"false\" aria-controls=\"426c6a155579ce763\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-1954-1\" data-target=\"#426c6a155579ce763\" href=\"#426c6a155579ce763\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon fa-minus fas\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon fa-plus fas\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">Post-Truth Siyaset: Medyan\u0131n D\u00f6n\u00fc\u015f\u00fcm\u00fc, Pop\u00fclizm ve Dezenformasyon \/ Yunus \u015eAHBAZ<\/span><\/a><\/h4><\/div><div id=\"426c6a155579ce763\" class=\"panel-collapse collapse \" araia-labelledby=\"toggle_426c6a155579ce763\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<p><strong><span class=\"fontstyle0\">\u00d6z<\/span><\/strong><\/p>\n<p>Post-truth; hakikatin yerini alg\u0131 ve duygular\u0131n ald\u0131\u011f\u0131, sosyal medyan\u0131n yan\u0131lt\u0131c\u0131 bilgi yay\u0131l\u0131m\u0131n\u0131 h\u0131zland\u0131rd\u0131\u011f\u0131 ve bireylerin yank\u0131 odalar\u0131 ile filtre baloncuklar\u0131 i\u00e7inde manip\u00fcle edildi\u011fi bir \u00e7a\u011f\u0131n g\u00f6stergesidir. Bu makale, post-truth \u00e7a\u011f\u0131nda sosyal medya, pop\u00fclizm ve dezenformasyonun siyasal s\u00fcre\u00e7ler \u00fczerindeki etkilerini ele almaktad\u0131r. Post-truth \u00e7a\u011f\u0131nda siyasal kat\u0131l\u0131m, se\u00e7men davran\u0131\u015flar\u0131 ve demokratik s\u00fcre\u00e7ler de de\u011fi\u015fmekte ve d\u00f6n\u00fc\u015fmektedir. Post-truth kavram\u0131n\u0131n modernitenin ak\u0131l, hakikat ve ilerleme gibi temel ilkelerine meydan okumaya ba\u015flad\u0131\u011f\u0131 ve bu ba\u011flamda post-truth\u2019un, bireylerin bilgiye ve hakikate eri\u015fim bi\u00e7imlerini d\u00f6n\u00fc\u015ft\u00fcrd\u00fc\u011f\u00fc g\u00f6r\u00fclmektedir. Sosyal medya ve dijitalle\u015fme, dezenformasyonun yay\u0131l\u0131m\u0131n\u0131 art\u0131rarak bireylerin siyasal tercihlerinde irrasyonel ve manip\u00fclatif unsurlar\u0131n etkisini g\u00fc\u00e7lendirmektedir. Bu durum, demokratik sistemlerin me\u015fruiyetini tehdit etmekte ve pop\u00fclist hareketlerin y\u00fckseli\u015fine zemin haz\u0131rlamaktad\u0131r. Makale, dijitalle\u015fme ile h\u0131zlanan bilgi ak\u0131\u015f\u0131n\u0131n, hakikate eri\u015fimi kolayla\u015ft\u0131rmak yerine dezenformasyonu yayg\u0131nla\u015ft\u0131rd\u0131\u011f\u0131n\u0131, bunun da toplumsal kutupla\u015fmay\u0131 ve demokratik s\u00fcre\u00e7lerdeki g\u00fcvensizli\u011fi derinle\u015ftirdi\u011fini savunmaktad\u0131r. Post-truth \u00e7a\u011f\u0131nda siyasal s\u00fcre\u00e7lerin duygusal y\u00f6nlendirmelerle \u015fekillendi\u011fi ve bu durumun modern demokrasilerin temel ta\u015f\u0131 olan \u201crasyonel birey\u201d anlay\u0131\u015f\u0131n\u0131 sarst\u0131\u011f\u0131 ifade edilmektedir. Sonu\u00e7 olarak, post-truth \u00e7a\u011f\u0131n\u0131n demokratik s\u00fcre\u00e7ler \u00fczerinde yaratt\u0131\u011f\u0131 risklerin azalt\u0131labilmesi i\u00e7in hakikat odakl\u0131 bir siyasal ve toplumsal ileti\u015fim ekosistemi olu\u015fturulmas\u0131 gerekti\u011fi savunulmaktad\u0131r.<\/p>\n<p><strong>Anahtar Kelimeler: <\/strong>Post-truth, pop\u00fclizm, dezenformasyon, sosyal medya, siyasal davran\u0131\u015f.<\/p>\n<\/div><\/div><\/div><style type=\"text\/css\">.fusion-accordian  #accordion-1954-1 .panel-bb78a57a185d76bdc .panel-title a{color:var(--awb-color8);}.fusion-accordian  #accordion-1954-1 .panel-bb78a57a185d76bdc .toggle-content{color:var(--awb-color8);}<\/style><div class=\"fusion-panel panel-default panel-bb78a57a185d76bdc\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_bb78a57a185d76bdc\"><a aria-expanded=\"false\" aria-controls=\"bb78a57a185d76bdc\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-1954-1\" data-target=\"#bb78a57a185d76bdc\" href=\"#bb78a57a185d76bdc\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon fa-minus fas\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon fa-plus fas\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">Hakikat Rejiminde Koordinatlar: Post-Truth Kanaatler ve Komplo Teorileri \u0130li\u015fkisi \u00dczerine Bir Deneme \/ \u0130smet PARLAK &amp; Ya\u011f\u0131z Alp TANG\u00dcN<\/span><\/a><\/h4><\/div><div id=\"bb78a57a185d76bdc\" class=\"panel-collapse collapse \" araia-labelledby=\"toggle_bb78a57a185d76bdc\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<p><strong><span class=\"fontstyle0\">\u00d6z<\/span><\/strong><\/p>\n<p>Kanaatleri \u00fcreten toplumsal d\u00fczene ve kanaatlerin yeniden \u00fcretti\u011fi toplumsal ili\u015fkilere odaklanarak ve hakikat rejiminde bilgi ve kanaat aras\u0131ndaki s\u0131n\u0131r\u0131 g\u00f6z ard\u0131 etmeden, komplo teorilerine yahut post-truth anlat\u0131lara mesafe almak, ironik bi\u00e7imde, bug\u00fcnlerde bilimsel bilgi \u00fcretiminin esas sorunlar\u0131n\u0131n bas\u0327\u0131nda\u00a0geliyor. Bu makale, post-truth kanaat \u00fcretimi ve komplo teorileri aras\u0131ndaki ili\u015fkiyi sorunsalla\u015ft\u0131rarak hakikat &#8211; bilgi \u00fcreten kavray\u0131\u015f\u0131 tart\u0131\u015fmaya a\u00e7an d\u00fc\u015f\u00fcnsel bir zemin sunmay\u0131 ama\u00e7lamaktad\u0131r. Bunun i\u00e7in iki odak kavram <em>post-truth<\/em> ve <em>komplo teorileri<\/em> aras\u0131ndaki ili\u015fkinin kurulmas\u0131 ve s\u00f6z konusu kavramlar aras\u0131ndaki fark\u0131n literat\u00fcr \u00fczerinden tart\u0131\u015f\u0131lmas\u0131, \u00e7a\u011f\u0131n politik tahayy\u00fcl\u00fc ve hakikat &#8211; bilgi \u00fcretimini odak alan bir \u00e7er\u00e7eve \u00e7izmektedir. Esasen bu iki kavramsal nesneyi yan yana koyman\u0131n, kanaat \u00fcretim, dola\u015f\u0131m ve t\u00fcketim h\u0131z\u0131n\u0131n hakikat rejiminde yol a\u00e7t\u0131\u011f\u0131 pop\u00fclist trendlerin kavran\u0131\u015f\u0131 \u00fczerinde de birtak\u0131m etkileri oldu\u011funu okunakl\u0131 k\u0131lmak i\u00e7in kullan\u0131\u015fl\u0131 oldu\u011fu s\u00f6ylenebilir. Post-truth kanaatler ve komplo teorileri aras\u0131ndaki ili\u015fkinin koordinatlar\u0131, hakikat rejimindeki epistemolojik ve ontolojik farklar\u0131n piyasayla kurdu\u011fu ili\u015fkiyi de\u011ferlendirmek \u00fczere bir g\u00fczerg\u00e2h \u00e7izme fikrini tart\u0131\u015fmaya a\u00e7maktad\u0131r.<\/p>\n<p><strong>Anahtar Kelimeler:<\/strong> Post-truth, komplo teorileri, hakikat, yar\u0131-ger\u00e7ek, yalan haber, medya m\u00fclkiyeti.<\/p>\n<\/div><\/div><\/div><style type=\"text\/css\">.fusion-accordian  #accordion-1954-1 .panel-d9862f22c48afc399 .panel-title a{color:var(--awb-color8);}.fusion-accordian  #accordion-1954-1 .panel-d9862f22c48afc399 .toggle-content{color:var(--awb-color8);}<\/style><div class=\"fusion-panel panel-default panel-d9862f22c48afc399\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_d9862f22c48afc399\"><a aria-expanded=\"false\" aria-controls=\"d9862f22c48afc399\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-1954-1\" data-target=\"#d9862f22c48afc399\" href=\"#d9862f22c48afc399\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon fa-minus fas\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon fa-plus fas\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">Hakikat\u2019ten Post-Hakikat\u2019e: \u0130deoloji Kavram\u0131n\u0131n D\u00f6n\u00fc\u015f\u00fcm\u00fc \/ F\u0131rat MOLLAER<\/span><\/a><\/h4><\/div><div id=\"d9862f22c48afc399\" class=\"panel-collapse collapse \" araia-labelledby=\"toggle_d9862f22c48afc399\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<p><strong><span class=\"fontstyle0\">\u00d6z<\/span><\/strong><\/p>\n<p>Bu \u00e7al\u0131\u015fma, ideoloji kavram\u0131n\u0131n tarihindeki d\u00f6n\u00fcm noktalar\u0131n\u0131 inceliyor. \u0130deoloji, Frans\u0131z Devrimi sonras\u0131nda \u2018ideologlar\u2019 olarak bilinen bir entelekt\u00fcel toplulu\u011fu i\u00e7inde, toplumu ak\u0131lc\u0131 ilkelere g\u00f6re yeniden d\u00fczenlemeyi hedefleyen Ayd\u0131nlanmac\u0131 bir toplumsal m\u00fchendislik tasar\u0131s\u0131n\u0131n ba\u015fat kavram\u0131 olarak ortaya \u00e7\u0131km\u0131\u015ft\u0131r. Fakat Ayd\u0131nlanmac\u0131 ideoloji kavram\u0131n\u0131n d\u00fc\u015fmanlar\u0131 h\u0131zla kendisini g\u00f6stermi\u015ftir: Napolyon\u2019un ideologlara y\u00f6nelik k\u00fc\u00e7\u00fcmseyici tutumu, muhafazak\u00e2rlar\u0131n ideolojinin somut tarihsel ger\u00e7eklikten kopuk soyut fikirler oldu\u011funa y\u00f6nelik tepkisi, pozitivist sosyolojinin kurulu\u015funda ideolojinin bilim kar\u015f\u0131t\u0131 olarak konumland\u0131r\u0131lmas\u0131 ve Marksizm\u2019in \u2018yanl\u0131\u015f bilin\u00e7\u2019 ya da yan\u0131lsama olarak ideoloji kavram\u0131. \u0130deolojinin edindi\u011fi olumsuz anlam konuyu ileri kapitalizmin i\u015fleyi\u015fi a\u00e7\u0131s\u0131ndan ele alan Ele\u015ftirel Teori ve Roland Barthes\u2019\u0131n \u00e7a\u011fda\u015f mitolojiler \u00e7\u00f6z\u00fcmlemesi ile daha fazla yerle\u015fecektir. Ayr\u0131ca Karl Mannheim\u2019\u0131n ideoloji kuram\u0131 Marksizm\u2019in ideolojiyi yerle\u015fik d\u00fczenle ilgili yan\u0131lsama olarak kavrayan tutumunu belli bir a\u00e7\u0131dan s\u00fcrd\u00fcr\u00fcr. Gelgelelim, ideoloji, 20. y\u00fczy\u0131l\u0131n hemen ba\u015f\u0131nda, Georges Sorel, V. I. Lenin ve Antonio Gramsci\u2019nin d\u00fc\u015f\u00fcnce hatt\u0131nda siyasi m\u00fccadeleyi k\u00f6r\u00fckleyen entelekt\u00fcel bir silah olarak olumlu bir anlam kazan\u0131r. Louis Althusser\u2019in \u00e7\u00f6z\u00fcmlemesi, bu yeni hat \u00fczerinde kurulur ama ideolojiyi toplumsal s\u00fcre\u00e7lerle ili\u015fkilendiren ya da toplumsal har\u00e7 olarak de\u011ferlendiren bir ba\u015fka yakla\u015f\u0131mla sonu\u00e7lan\u0131r. Althusser ile birlikte ideoloji, siyasette hakikat sorunundan \u00f6znelerin yarat\u0131lmas\u0131na do\u011fru bir ge\u00e7i\u015f yapar. Althusser sonras\u0131 ideoloji kuram\u0131nda \u00f6ne \u00e7\u0131kan d\u00fc\u015f\u00fcncelerden ikisi ise Francis Fukuyama ve Peter Sloterdijk\u2019e aittir. Fukuyama ideolojilerin sonu sav\u0131n\u0131 g\u00fcncelleyerek hem Althusser\u2019in kuram\u0131nda d\u00fc\u015f\u00fcnsel boyutu zay\u0131flam\u0131\u015f ideolojiye itibar\u0131n\u0131 geri verir hem de bunu yaparken liberalizmi ayr\u0131cal\u0131kl\u0131 bir yere yerle\u015ftiren dar bir ideoloji kuram\u0131 ortaya \u00e7\u0131kar\u0131r. Sloterdijk ise \u2018ayd\u0131nlanm\u0131\u015f yanl\u0131\u015f bilin\u00e7\u2019 kavram\u0131yla ideoloji kavram\u0131n\u0131 son d\u00f6nemde hararetle tart\u0131\u015ft\u0131\u011f\u0131m\u0131z hakikat-sonras\u0131 kavram\u0131n\u0131n yak\u0131n\u0131na ta\u015f\u0131r.<\/p>\n<p><strong>Anahtar Kelimeler<\/strong>: \u0130deoloji, yanl\u0131\u015f bilin\u00e7, hegemonya, ideoloji ve \u00fctopya, ideolojinin sonu, hakikat-sonras\u0131.<\/p>\n<\/div><\/div><\/div><style type=\"text\/css\">.fusion-accordian  #accordion-1954-1 .panel-b6c4e3a6042a5cf85 .panel-title a{color:var(--awb-color8);}.fusion-accordian  #accordion-1954-1 .panel-b6c4e3a6042a5cf85 .toggle-content{color:var(--awb-color8);}<\/style><div class=\"fusion-panel panel-default panel-b6c4e3a6042a5cf85\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_b6c4e3a6042a5cf85\"><a aria-expanded=\"false\" aria-controls=\"b6c4e3a6042a5cf85\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-1954-1\" data-target=\"#b6c4e3a6042a5cf85\" href=\"#b6c4e3a6042a5cf85\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon fa-minus fas\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon fa-plus fas\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">Roland Barthes\u2019in \u201cYazar\u0131n \u00d6l\u00fcm\u00fc\u201d Kavram\u0131 ve Post-Truth \u0130li\u015fkisi \u00dczerine \/ Saadet YED\u0130\u00c7<\/span><\/a><\/h4><\/div><div id=\"b6c4e3a6042a5cf85\" class=\"panel-collapse collapse \" araia-labelledby=\"toggle_b6c4e3a6042a5cf85\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<p><strong><span class=\"fontstyle0\">\u00d6z<\/span><\/strong><\/p>\n<p>Edebiyat ele\u015ftirisi, 20. y\u00fczy\u0131l\u0131n ikinci yar\u0131s\u0131ndan itibaren dikkate de\u011fer bir d\u00f6n\u00fc\u015f\u00fcm s\u00fcrecinden ge\u00e7mi\u015ftir. Bu d\u00f6n\u00fc\u015f\u00fcm\u00fcn temelinde, metin yorumlama bi\u00e7imi olarak metnin anlam\u0131n\u0131 yaln\u0131zca yazar\u0131n biyografisi ve niyeti ile ili\u015fkisi ba\u011flam\u0131 s\u0131n\u0131rlar\u0131nda d\u00fc\u015f\u00fcn\u00fclebilecek, al\u0131\u015f\u0131la gelmi\u015f yorum y\u00f6ntemine y\u00f6nelik ele\u015ftiriler ve metnin kendisini (ve okurunu) merkez\u00ee bir konuma yerle\u015ftirmeyi \u00f6nemseyen kuramc\u0131lar\u0131n g\u00f6r\u00fc\u015fleri yer almaktad\u0131r. Frans\u0131z edebiyat ele\u015ftirmeni ve d\u00fc\u015f\u00fcn\u00fcr Roland G\u00e9rard Barthes\u2019\u0131n 1967\u2019de kaleme ald\u0131\u011f\u0131 k\u0131sa, fakat \u00e7\u0131\u011f\u0131r a\u00e7\u0131c\u0131 denemesi \u201cYazar\u0131n \u00d6l\u00fcm\u00fc\u201d (La mort de l\u2019auteur) s\u00f6z konusu g\u00f6r\u00fc\u015f\u00fcn simge metinlerinden biri olarak kabul edilir. Barthes, denemesinde edebiyat ele\u015ftirisinin \u2018yazar\u0131 merkeze alan\u2019 tutumunu sarsarak, edebi bir metnin kendine \u00f6zg\u00fc bir \u2018sesler \u00e7oklu\u011fu\u2019 olu\u015fturdu\u011funu belirtir ve okurun yorumunun en az yazar\u0131n niyeti ve konumu kadar de\u011ferli oldu\u011fu fikrini ortaya koyar. Bu y\u00f6n\u00fcyle deneme, edebiyat ele\u015ftirisinde yeni bir yorum imkan\u0131n\u0131 m\u00fcmk\u00fcn k\u0131lmas\u0131 bak\u0131m\u0131ndan \u00f6nem arz eder. Post-truth kavram\u0131 ise, bilhassa siyaset, ileti\u015fim ara\u00e7lar\u0131 ve toplum \u00fczerine yap\u0131lan \u00e7a\u011fda\u015f tart\u0131\u015fmalarda s\u0131kl\u0131kla kar\u015f\u0131la\u015f\u0131lan bir terim haline gelmi\u015ftir. Kavram, geleneksel hakik\u00e2t anlay\u0131\u015f\u0131n\u0131 sorgularken; ayn\u0131 zamanda bilgi, ileti\u015fim ve alg\u0131 s\u00fcre\u00e7lerinde k\u00f6kl\u00fc bir d\u00f6n\u00fc\u015f\u00fcme de i\u015faret eder. Post-truthu oda\u011fa alan literat\u00fcr, sadece bir \u2018hakik\u00e2t krizine\u2019 i\u015faret etmekle kalmay\u0131p, ayn\u0131 zamanda hakik\u00e2tin ve bilginin yeniden in\u015fa s\u00fcrecine dair tart\u0131\u015fmalar \u00fczerinden de ilerler. Roland Barthes\u2019\u0131n teorisinin \u00f6znel yorumlara alan a\u00e7mas\u0131 ve post-truth\u2019un ger\u00e7e\u011fi benzer bi\u00e7imde \u00f6znel bir yap\u0131 \u00fczerinden yorumlamas\u0131; edebi metin, yazar ve okur aras\u0131ndaki ili\u015fkinin sorgulanmas\u0131 bak\u0131m\u0131ndan dikkate de\u011fer bir zemin sunmaktad\u0131r. Bu makale, Barthes\u2019\u0131n Yazar\u0131n \u00d6l\u00fcm\u00fc metnini post-truth \u00fczerinden bir okuma denemesidir ve bilhassa hakik\u00e2t alg\u0131s\u0131na ili\u015fkin d\u00f6n\u00fc\u015f\u00fcm\u00fcn edebiyat ele\u015ftirisi \u00fczerindeki etkisini incelemeyi ama\u00e7lamaktad\u0131r.<\/p>\n<p><strong>Anahtar Kelimeler: <\/strong>Roland Barthes, yazar\u0131n \u00f6l\u00fcm\u00fc, okurun do\u011fumu, post-truth, edebiyat ele\u015ftirisi.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"fusion-text fusion-text-4\"><h3 style=\"padding-left: 40px;\"><strong>K\u0130TAP \u0130NCELEMES\u0130<\/strong><\/h3>\n<\/div><style type=\"text\/css\">#accordion-1954-2 .fusion-panel:hover{ border-color: var(--awb-color3) } #accordion-1954-2 .fusion-panel { border-color:var(--awb-color3); }.fusion-accordian  #accordion-1954-2 .panel-title a .fa-fusion-box{ color: #000000;}.fusion-accordian  #accordion-1954-2 .panel-title a .fa-fusion-box:before{ font-size: 12px; width: 12px;}.fusion-accordian  #accordion-1954-2 .panel-title a{font-size:18px;line-height:1.5;color:var(--awb-color8);font-family:Garamond, serif;font-weight:400;}.fusion-accordian  #accordion-1954-2 .toggle-content{font-size:16px;color:var(--awb-color8);font-family:Garamond, serif;font-weight:400;}.fusion-accordian  #accordion-1954-2 .panel-title a:not(.active):hover, #accordion-1954-2 .fusion-toggle-boxed-mode:hover .panel-title a { color: var(--awb-color5);}.fusion-accordian  #accordion-1954-2 .fusion-toggle-boxed-mode:hover .panel-title a .fa-fusion-box{ color: var(--awb-color5);}.fusion-accordian  #accordion-1954-2.fusion-toggle-icon-unboxed .fusion-panel .panel-title a:not(.active):hover .fa-fusion-box{ color: var(--awb-color5) !important;}<\/style><div class=\"accordian fusion-accordian\"><div class=\"panel-group fusion-toggle-icon-unboxed\" id=\"accordion-1954-2\"><style type=\"text\/css\">.fusion-accordian  #accordion-1954-2 .panel-e2241feeaca99e458 .panel-title a{color:var(--awb-color8);}.fusion-accordian  #accordion-1954-2 .panel-e2241feeaca99e458 .toggle-content{color:var(--awb-color8);}<\/style><div class=\"fusion-panel panel-default panel-e2241feeaca99e458\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_e2241feeaca99e458\"><a aria-expanded=\"false\" aria-controls=\"e2241feeaca99e458\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-1954-2\" data-target=\"#e2241feeaca99e458\" href=\"#e2241feeaca99e458\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon fa-minus fas\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon fa-plus fas\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">G\u00f6khan MURTEZA (\u0130nceleyen) - Hakikat Sonras\u0131_Steve Fuller<\/span><\/a><\/h4><\/div><div id=\"e2241feeaca99e458\" class=\"panel-collapse collapse \" araia-labelledby=\"toggle_e2241feeaca99e458\"><div class=\"panel-body toggle-content fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div><\/div><style type=\"text\/css\">.fusion-body .fusion-builder-column-1{width:75% !important;margin-top : 0px;margin-bottom : 20px;}.fusion-builder-column-1 > .fusion-column-wrapper {padding-top : 0px !important;padding-right : 0px !important;margin-right : 2.56%;padding-bottom : 0px !important;padding-left : 0px !important;margin-left : 2.56%;}@media only screen and (max-width:1024px) {.fusion-body .fusion-builder-column-1{width:75% !important;order : 0;}.fusion-builder-column-1 > .fusion-column-wrapper {margin-right : 2.56%;margin-left : 2.56%;}}@media only screen and (max-width:640px) {.fusion-body .fusion-builder-column-1{width:100% !important;order : 0;}.fusion-builder-column-1 > .fusion-column-wrapper {margin-right : 1.92%;margin-left : 1.92%;}}<\/style><\/div><\/div><style type=\"text\/css\">.fusion-body .fusion-flex-container.fusion-builder-row-1{ padding-top : 0px;margin-top : 0px;padding-right : 0px;padding-bottom : 0px;margin-bottom : 0px;padding-left : 0px;}<\/style><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v19.3 - 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